ZHIYUN Weebill 3S gimbal camera stabilizer: Steady As She Goes

By Jeff Daum, Ph.D., PPA

Simply put, a gimbal stabilizer is intended to help take videos minimizing movement created by the way you hold the camera while shooting.  If you have looked at adding a gimbal stabilizer to your equipment, you found an abundance of options out there.

This review is of the new Weebill 3S and how ZHIYUN designed it to stand out from the rest of gimbal stabilizers.  The unit was provided to me by ZHIYUN and GlobalPR.

What Is In The Box

When you order the Weebill 3S it is shipped directly from Hong Kong to you and the price includes free shipping and no additional custom’s duty and import taxes.  In my case it arrived quickly and in excellent shape.  All components are well packed.

There are two options when you place your order: the basic Weebill 3S at US$319 or the Weebill 3S Combo at US$439.  ZHIYUN is offering a 10% off discount code for my readers. Links are provided in footnote at the bottom for orders from their site or Amazon.1 I recommend the combo over the base since it includes the extension handle and wrist support which make the unit much more manageable.  Both come with the same warranty: free replacement or repair for quality defects within 15 days of receipt of product. Free repair from ZHIYUN for defective material or workmanship that results in product failure for 12 months from date of selling.

Included in the box is a heavy duty nicely designed case that can hold the Weebill 3S and all of its components as well as your camera and lens.  Though, if you are like me, you already have multiple camera cases and probably won’t end up using the ZHIYUN case.

The components (image above) include #1 the Weebill 3S, #2 the extendable Sling Grip and Trans Mount Wrist Rest, #3 assorted cables for direct connection to different OEM cameras, #4 the Quick Release plate, Camera Backing Base, M4 wrench and ¼” screws, #5 Tripod base and Quick Start Guide.

The first step was to download the user manual from ZHIYUN ( https://www.zhiyun-tech.com/en/download/instruction/617?type=website&page=download_software&source=instruction ) and charge up the Weebill 3S (NOTE: as with many electronics today, no USB charger was included with the Combo.  Any USB C phone charger 14 W PD or less will do).  It takes about two hours from empty to full charge, with the state of charge showing on the small built-in screen.  Based on how you use the unit, the charge can last up to 11 hours.

Putting the components together was fairly straightforward.  NOTE: When assembling the quick release plate to the camera, the provided ¼” screw will only fit into the end of the center slot on one side- the end which has ZHIYUN printed on the underside.  It takes a few tries to get the screw to perfectly match the threads in the plate.  The same is true when putting the screws into the camera backing base.  The screws will only thread into the end of the backing base which has ZHIYUN printed on the underside.  You’ll use the provided M4 wrench to tighten the screws.

The main unit weighs 2 lb. 4.2 oz (1.026 kilograms), adding on the extension handle, tripod and mounting plate brings it to 3 lb. 13.8 oz (1.752 kilograms).

For my testing, I used a Nikon Z7 mirrorless digital camera and a Nikkor 50 mm 1.8 S lens.  This camera and lens were listed on ZHIYUN’s compatibility chart.   The actual weight of the Nikon with lens came to 2 lbs. 7.6 oz (1.1226 kilograms).

Once you get the Weebill 3S fully assembled and your camera and lens mounted, connect your camera to the Weebill 3S using one of the supplied USB cables.  Later you can potentially use a Bluetooth connection.  In my case, the Bluetooth connection would not work.

Next you will need to go through the balancing steps for each of the gimbal’s three axes.  Especially If you are new to gimbals know this is a critical step that must be completed carefully to ensure that the gimbal will work properly. 

NOTE; If you are new to using gimbals, I encourage you to watch some ZHIYUN’s videos https://www.zhiyun-tech.com/en/service/support/617/3/show?type=website&page=second_nav&source=service2#/pages/index/support/videoPage   Here is another one that is particularly helpful: https://www.youtube.com/watch?v=BzmKhXDjf2k&ab_channel=MamoAir  

The above-mentioned videos will walk you through the process including how to update the Weebill 3S software.  If you haven’t balanced another gimble in the past, you may find it frustrating the first time, but it gets easier after just a few attempts.

NOTE: the Weebill 3S is very sensitive to the slightest change in camera/lens combinations, so be sure to remove your lens cover, and have your battery and memory card inserted before doing the balancing.

After getting your camera and lens balanced, you need to allow the Weebill motor software to make final adjustments (again as mentioned in the ZHIYUN videos above).  Now you are ready to go.

INITIAL FIELD TESTS

My first test was to shoot a static object while moving around it.  For comparison I shot the scene twice, once using the Nikon on the Weebill 3S and a second time hand holding the Nikon, trying to shoot the scene as close as possible to the first time.  This would attempt to partially answer “is a gimbal set up worth it for simple videos?”

In this and the following videos, the top frame video is always the one taken using the Weebill 3S and the bottom frame video is the handheld without the use of the gimbal.  Physically for this the camera and lens are sitting on top of the Weebill 3S in the three axes gimbal set up, and you are holding it with two hands by a combination of the Weebill 3S body and either the tripod or sling grip.

As can be seen there is movement generated by the camera in both versions, but the top frame one which used the Weebill 3S has noticeably less camera induced movement.

Next test was replicating shooting a video while both you and the target are moving.

Again, there is movement generated by my moving in both versions, but the top frame one which used the Weebill 3S has less movement caused by my walking while videoing.

This next test was of the Sling Mode, where the Sling Grip is moved so that the camera and Weebill 3S are under the Sling Grip.  This setup allows for capturing images/video from a perspective starting at or near the ground/floor.  The Weebill 3S and camera are actually more easily supported by just one hand lightly on the Sling Grip.

This Sling setup resulted in very little camera movement and a perspective that would have been difficult to duplicate without the Weebill 3S unless you were lying down on the floor holding the camera.

The Weebill 3S comes programmed with several cinematic features to enable creative shots.  It can be easily set to PF or pan follow, POV point of view, F follow, L gimbals locked, and V vortex mode.  Each mode locks or unlocks individually one, two or all three axis. You can also remotely control its movement via the ZYPlay app. Here is a brief example of Vortex mode:

A fun effect that would be very difficult to duplicate without the Weebill 3S!

PRELIMINARY CONCLUSIONS

Some thoughts/suggestions:

  • ZY Play app requires your scrolling through and agreeing to a User Agreement that ran on for about a dozen screens on Android and second agreement of about ten more screens.  This one appears to be written by a legal team that never had to read it on a phone screen. Why not have a simplified agreement?

Here is just one of the extensive sets of screens.

  • Earlier production units included a magnetic key that was attached to the underside of the camera mounting bracket and could be used for tightening the attachment screws.  That is no longer provided.  However, an Allen wrench is provided to serve the same purpose.  Either go back to the magnetic key or have an attachment place on the Weebill 3S body for the wrench so it is at the ready in the field.
  • A more significant change at this stage of production occurred with the Camera Backing Base.  This used to be a Quick Release Base.  Now the Camera Backing Base attaches to the camera body with one ¼” screw and the use of the M4 wrench.  In turn, the Camera Backing Base attaches to the larger Quick Release Base using two ¼” screws and the M4 wrench.  What this means is that you can’t just release the Camera Backing Base as with previous versions but must either unscrew the base from the Quick Release Base or release and slide out the Quick Release Base to remove the camera.  When you go to replace the camera, this ends up resulting in it being in a slightly different balance point and requires the rebalancing of the Weebill 3S before proceeding.  Fortunately, I found that it normally only required the rebalancing of one of the axes.
  • At least for use with the Nikon Z7, you have to remove the camera still attached to the quick release plate to change the battery and/or the memory card.  Consider a raised camera base plate that will allow changing the battery without having to remove the camera.
  • Suggest getting a spare M4 wrench if you don’t have one handy.

Positives:

  • The Weebill 3S appears to be very well constructed and feels solid.  I had no concerns about my camera suddenly dropping off or swinging wildly out of control.
  • The Weebill 3S has a built-in LED light that you can adjust in terms of intensity from 1000 lux down, and color temperature ranging from 2600k to 5500k.  It is a very handy fill light when needed.
  • It is ergonomically designed to allow easy access to the menu options (visible on its building screen), change operating modes, turning on and off the built-in LED light, starting and stopping your camera’s recording, etc.  The front rotary switch also can be user programmed.
  • Tripod extension is very useful as both an extension of the grip and to set the Weebill 3S and attached camera down on a flat surface without it tipping over.  It can also be used to perform super smooth panorama shots either manually or through the ZY Play app automatically.
  • The quick release allows for easy change from landscape to portrait orientation with minimal or no rebalancing needed.

In Summary

I think that ZHIYUN has done an admirable job of setting this Weebill 3S three axes gimbal apart from its competition.  It is very well made, compact and reasonably lightweight.  The Weebill 3S comes loaded with usable features that will enhance your videos along with reducing shake caused by how you hold your camera and move.  Just be sure that your intended camera and lens are on the ZHIYUN compatibility chart.  Based on how sensitive I found the Weebill 3S to the positioning of my Nikon and lens, I think even though it is on the compatibility chart it was near the top limit of the Weebill’s motors.

I hope you found this useful. Please let me know if you have any questions!

Cheers

1 To obtain the 10% discount use the code DaumWB3S.
And one of these purchase links:
ZHIYUN official store: https://geni.us/wb3s_str_dp

ZHIYUN Amazon: https://geni.us/AMZ-WB3S-PR-Daum

Lost your vehicle OEM FOB? This company can help.  Product/Technology review of Car Keys Express.

If you have ever lost your OEM FOB you know what a hassle it typically is to get a replacement from the dealer and to get it programmed properly, let alone the steep cost you incur.

While there have been non-OEM FOBs available for years, most don’t end up working or require you to still go to the dealer to get it properly programmed, again at a significant cost.

Enter Car Keys Express.[1] Their byline elegantly sums it up: Replacing car keys is simple and affordable again.™  Founded in 2006 by CEO Mark Lanwehr, no not in his garage 😊 but on the dining room table of his one room apartment.  By 2006 it was the first online retailer of automotive keys and keyless entry remotes.  Two years later Mark started offering his services to dealerships and fleet owners and now serves over 3,000 cities in the US and Canada.  Along the way they added self-serve kiosks and remote optical scanners for dealerships.  They are now the largest key/key FOB replacement company around.

In their booth at AAPEX 2021 they had samples of their products including their ROKS    or retail optical key scanner, their Keys Now, their Simple Key, the Universal EZ Installer™ and the EZ Installer™.  The ROKS is stand alone unit that you insert your existing key for scanning.  Then they send you the key completely cut.  Their FOB to use with the key can then be paired up with your car using their Universal EZ Installer and a free phone app.  The process saves you about 70% of the cost as compared to going to the OEM dealer.

Simple Key (a kit premade for each specific OEM) comes with the EZ Installer.  Costs vary depending on the OEM and vehicle, but ranges from US$99 to $149 versus if you went through the dealer where you would pay in the range of US$300 to $500 or more.

The difference between the Universal EZ Installer™ and the EZ Installer™ is that EZ Installers are designed to only work with one OEM, such as Ford, GM, Mazda, etc., while the Universal will work with about 95% of OEMs (and since this is a brand-new product, they are working refine its software to work across all OEMs).  Once purchased the Universal EZ Installer or the EZ Installer and connected to the owner’s vehicle via the OBD2 port, the imbedded software becomes linked to the VIN.  This means the owner can make multiple duplicates but only for that specific VIN.  It can not be used after that on another vehicle.

Options for the end user currently include purchasing a kit from them online, locating and driving to one of their Car Keys Express locations in your city, having their mobile service scheduled to come to you, and a priority option of having them come within 24 hours.  The respective pricing ranges from about US$99 if you drive to them  $169 for a scheduled come to you and $315 for 24 hours service.  All well below the hassle and cost of getting it done through your OEM Service Dealership.

In my discussion with Kirk Stewart, Retail Marketing Director of Car Keys Express, he told me that it takes about 18 months on average for them to reverse engineer an OEM FOB, and develop their own proprietary software and chip design, extensively test it out before selling them.  They design their units to exceed the OEM in terms of quality, latest electronics, and durability.  The finished product is waterproof to 30 feet (OEMs are not) and have better battery life as well as range of operation.

Here is a link to one of their videos explaining how their FOBs exceed OEM quality https://player.vimeo.com/video/492057627

They currently have their circuit boards made in China to their proprietary design, but are looking to bring that phase of the process to the United States. Car Keys Express design, engineer, load their own software on the boards, and package all of the units in the United States (Louisville, Ky).  They guarantee their products for 3 years (parts and labor) versus the OEMs’ ninety days to one year.


[1] https://carkeysexpress.com/

Great Apes- close up and personal.

© JwDaum (1 of 21)I just returned from a Silverback Gorilla trek and a Mountain Chimpanzee trek in different parts of Uganda.  After a friend reviewed the images, she reminded me of Ansel Adams statement that “There are always two people in every picture: the photographer and the viewer.” Whenever I record an image I wonder about how my presence impacts the outcome… In this case, the Great Ape across from my lens.  The image above and these directly below, are Silverback Mountain Gorillas.  They live in the Bwindi Impenetrable Forest in Uganda.  It is a UNDESCO World Heritage Site.  [Each image can be clicked on and enlarged- if you click it twice, it will go to full size.]

The picture below and the following matrix of pictures, are Chimpanzees living in the Kibale National Park in the rain forest of Uganda. © JwDaum (14 of 21)

For more images of the Gorillas please visit my photography web site and the Gorilla Gallery.  For more images of the Chimpanzees please visit my Chimpanzee gallery. Please share your thoughts in the comment area below.  Thank you!

 

Fabulous flowers

Flowers are found almost everywhere.  Typically they add color, and often fragrance, that help them standout in our visual landscapes.

Frequently we just ‘breeze’ by them as we pass from here to there, and as a result miss the stunning nuances they are waiting to share.

Here is a sampling from my travels around the world:

Hope you enjoy!  Please feel free to share your thoughts.

 

Highlights of St. Petersburg, Russia

My travels have provided me the opportunity to experience more than 60 amazing countries and cultures.  A friend recently challenged me to try and provide a visual summary of one of my trips in a five minute or less ‘tour.’  [I am not sure but think the motivation was so they did not have to sit through one of my Blu-ray shows, that often run about an hour or so production…]

At any rate, I thought it an interesting challenge, and this is my first response.

This is an overview tour of highlights from St. Petersburg, Russia.  As you come in from the sea, you past the Lenin era massive housing projects.  While these buildings are showing their age, there is new construction of equally massive housing going up nearby.  The city is comprised of stunning buildings lining the streets along the Neva River central waterway.  Next stop is the ornate Cathedral of Peter and Paul.  On from there to the opera house for Swan Lake.  Next is Catherine’s palace followed by the State Hermitage Museum.  This magnificent museum has your head swiveling in an attempt to take it all in- the magnificent palace easy ‘competes’ with its rooms that house amazing art works.  Hope you enjoy! (It may take a couple of seconds for the slideshow to load)

This slideshow requires JavaScript.

Please feel free to comment.  I may even be encouraged and do more ‘mini’ tours!

Cars as moving sculptures

As automotive enthusiast (yup, in case you haven’t guessed it I fall into that category), we tend to go far beyond thinking of cars as simply a ‘means to get from A to B.’  Since the start of car production, designers got involved right alongside engineers in an attempt to differentiate one model from another, to blend ‘art and science,’ and in many cases, to result in cars seen as moving sculptures.

There are many variations in attempts to come up with THE list of top designers.  Admittedly there shouldn’t be just one list as beauty is ultimately in the eyes of the beholder.  One of the lists I like as a jump off point is Chris Perkin’s (of Jalopnik) “The Ten Greatest Car Designers Of All Time.”  His list includes Ian Callum (Aston Martin DB9, Jaguar F), Paul Bracq (Mercedes, BMW), Bill Mitchell (GM, Sting Ray), Georges Paulin (Peugeots), Franco Scaglione (Alfa Remero Tipo 33 Stradale), Harley Earl (GM Buick Y, Corvette),   Batista Pininfarina (Alfa Romeo Giulietta Spider), Malcom Sayer (Jaguar C & XJ13), Marcello Gandini (Miura,Countach), Giorgetto Giugiaro (Ferrari 250, Berlinetta Bertone).

Of course, I anticipate many recent design greats like Ed Welburn (Corvette Stingray C7), Peter Brock (Sting Ray Racer, Cobra Daytona Coupe), and Grant Larson (Porsche Boxster) will find their way onto updated variations of the top designer lists.

This slideshow requires JavaScript.

As you (hopefully) are thinking about who would be on your list, prompted by the names here and/or images, please comment at the bottom and share your input!  Thanks.

Image vs equipment and software

When I started in professional photography my equipment consisted of Nikon Fs (F, F3, Photomic, etc.).

Here is a comparison of my first professional camera in the center, with my first digital with a Leica lens on the right, and my latest digital Nikon on the left.

untitled-1

Evolution (or Nikon on steroids).

I tend to add new equipment when I feel the technology offers a significant improvement.  For example, the small Leica was my initial move into the world of digital.  It was considerably smaller than my film cameras, and offered the ability to immediately confirm I captured what I wanted.  It also allowed me to learn how to shoot in digital since, in my experience, it required somewhat different skills than film cameras.  Framing and composition were still the same, but how digital captured light has subtle but important differences to my eye as compared to film. [ Much like digital audio equipment sounds different when compared to tube based equipment. ]

While I still occasionally shoot with negative professional film using my older Nikon equipment, nearly all of my images today are shot with my full frame Nikon digital cameras.

From my earliest days as a photographer, my approach was to capture what interested me just exactly as I saw it in my ‘mind’s eye,’ so to speak.

Initially all of my work was done on black and white professional negative film, that I developed in my lab.  Developing of film was done by the ‘book’ without enhancing the image.  Slowly I experimented with color negative film but my concern was that it was too easy to get an interesting picture simply because of the colors as compared to black and white.  For example, this shot of spices from India is really only interesting to me because of the colors as compared to shooting it in black and white.

This approach still reflects my technique today, except I normally only shoot with an eye to the colors and how they interact with the composition.

And certainly, many images rely totally on color for dramatic impact:

I trust my ability to see and capture what I want without coming back and spending time using readily available software (today’s equivalent of chemicals in the lab and development times when I started) to modify the image.  I don’t think there is anything wrong enhancing images using post shooting software, but believe it reflects more of a philosophical difference.  I consider myself a ‘naturalist’ photographer verses an artist/photographer producing a final photograph with software.

When you look at photographs do you wonder if it is reflective of reality or enhanced?  Does it matter to your enjoyment of the photograph?  Look forward to hearing from you!  Please feel free to comment below.